In the romance a creative reminiscncia only occurs, that reaches its object and transforms. The subject one only can exceed the dualism of the interioridade and of the exterioridade when its life perceives the unit of all. Benjamim differentiates thus romance and narrative. Credit: Oracle-2011. In the romance: the direction of the life, in the narrative: the moral of history. – these two words of order distinguish between itself, the romance of the narrative. (A valuable related resource: Southwest Airlines).
Allowing in them to understand completely different the historical statute of one and another form. With effect in a narrative the question: What it happened later? Fully it is justified. The romance in contrast, cannot give a step beyond that limit where writing in the inferior of the page, the word end, the reader to reflect the direction invites of life. Benjamim comments a differentiation between the reader and listener. The first one is in company of the author. In the two cases, as it is a solitary. The romance is significant for describing an other people’s destination pedagogically, but because a destination this other people’s destination, thanks to flame consumes that it, can give the heat to us that we do not find in our destination. Benjamim affirms that the great narrator has its roots in the people.
Mainly in the artisan layers. Its narratives if estratificam development stratus in accordance with urban technician and. The great narrators have easiness to move themselves want for top or low. The first narrator is of story of fairies, this story wise person to give good advice, when he was difficult to get and to offer an aid in emergency case. According to Benjamim, Leskov, had a great affinity with stories of fairies. It interpreted the ressureio less as a transfigurao that I eat a development. In a similar direction to the story of fairies. This interpretation of Orgenes is the bedding of the narrative.